"alors je fis mettre des crochets aux arbres du jardin et fis accrocher des pancartes signalant que j'avais fait mettre du poison dans les fruits."

In "" virtual embraces and sensory switchings get organized around the consumerist idea of love. "" gives to see the dose of disorders and manipulations of a paradise conceived as the consumerist place of an imaginary reality. Kind of supermarket coils, converting the myth of the paradise in artificial electronic waves browsing characters auto-procreating, "" gets organized around a venal consensus to deal with the utopia of love: the consumerist instructions for use of the poetic text then act as revelation, where reality and illusions invert in this junction of the poem and the image.